too many crows to signify a graveyard

by bendle

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    an excerpt from a live performance at the old london musicians collective building in camden town, london.

    I went through a spell of playing solo, trying to break free from what I'd been doing previously. I got to the point where I was doing solo improvised voice only performances and then gradually started adding in elements of instrumentation and amplification. By the time I did this piece i was playing organ and clarinet and bongos, and utilising a cassette player with some prerecorded parts and an old copycat echo machine - that i manipulated to make loops with the aid of a knitting needle!

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released June 6, 1984
bendle: organ, clarinet, voice, bongos, copycat and a knitting needle




bendle Sheffield, UK

The story of the early incarnations of The Door And The Window is told by bendle in an ebook titled Permanent Transience - available on Kindle

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